Tag Archives: Performance Art

Unorthodox Message

Unorthodox Message (CaD Ezk 4) Wayfarer

“Now, son of man, take a block of clay, put it in front of you and draw the city of Jerusalem on it. Then lay siege to it: Erect siege works against it, build a ramp up to it, set up camps against it and put battering rams around it. Then take an iron pan, place it as an iron wall between you and the city and turn your face toward it. It will be under siege, and you shall besiege it. This will be a sign to the people of Israel.”
Ezekiel 4:1-3 (NIV)

As I have mentioned before, I spent a handful of years mentoring individuals within my local gathering of Jesus’ followers in the art of preaching. It was a great experience, and I continue to believe that perhaps I learned more over that stretch of time than my protégés.

As I think back to those years and try to remember the messages of the people I coached, there is one thing that makes many of them stand out in my memory: unusual visual lessons. I remember one message using a full-sized rowboat on stage. Another message was delivered while walking on a treadmill. One of my favorites was the individual who came out portraying Mr. Rogers, singing the theme song, switching from suit coat to sweater, and changing from dress shoes to sneakers. Not only were these things attention grabbers, but the metaphors they presented visually with a boat, a treadmill, and Mr. Rogers helped to remember the message they were trying to get across.

In today’s chapter, God assigns the young prophet Ezekiel his first prophetic message to the people of Israel already living in Babylon. In modern terms, it was like God saying, “Grab some Legos from the kids’ room, a skillet from your kitchen, some bungee chords you have in your garage, and the ingredients for making bread from your pantry. Oh, and grab a bottle of water, too.”

God had Zeke create a model of the City of Jerusalem as if it was under siege, then put the skillet between the City and himself as he tied himself up with ropes, lay on his side, and made bread for lunch using a dried cow pie as fuel along with rationed sips of water at regular intervals. Oh, and he was to repeat this little performance art piece every day for 430 days.

The scene, of course, was a message in and of itself. I always say that God’s base language is metaphor. Zeke’s daily performance art symbolized what God was about to do, allowing His people in Jerusalem to suffer a long and bitter siege by the Babylonians because they refused to listen, repent, and turn their hearts back to God even after years of His prophets like Jeremiah warning them of the bitter consequences if they refuse. Zeke’s Lego and bungee chord performance art not only gave his people a memorable visual, but it drew attention, created conversation, and the daily repetition for over a year ensured that it would stick in people’s heads, even if they refused to let it penetrate their hearts.

As I sit in the quiet and meditate on Ezekiel’s first prophetic message, I have to believe he was more than a little taken aback by the assignment. I have found human beings to be stringent in our herd mentalities. We want to be normal, socially acceptable, and not make waves. We don’t want to stand out or be labeled as strange. If Zeke was like the average human being, he would have initially balked at what God was asking Him to do, and indeed he does push back at God when the original instructions were for him to use human excrement as his fuel for baking bread every day, which is exactly the type of extreme measures that human beings stuck in a city under siege had to resort to to stay alive. God wasn’t pulling any punches with Zeke’s metaphorical message.

Of course, Zeke did obey, and I can only imagine the negative reactions he had to endure. How courageous he was in his obedience.

And, what lengths God was willing to go to get His message across to His people. He broke convention, grabbed attention, and gave memorable visuals that were hard to ignore. Zeke’s audience in Babylon had already experienced phase one of what God had been proclaiming through the prophets for decades. Having endured a 900-mile exile march and now living in a strange land, I would tend to think they might be more open to Zeke’s unorthodox warning.

I’m reminded this morning that sometimes I need to be more unorthodox when delivering a message, and more open-hearted when receiving one.

If you know anyone who might be encouraged by today’s post, please share.

Living Lesson

Living Lesson (CaD Hos 3) Wayfarer

So I bought [Gomer] for fifteen shekels of silver and about a homer and a lethek of barley.
Hosea 3:2 (NIV)

I was coaching a client last week on their Enneagram Type. As I was getting to know the person’s story, I learned that they were the youngest in birth order among their siblings. My client talked about a reality that I also experienced as the youngest child. The youngest child gets to watch all the older siblings in relationship and conflict with parents. This becomes a living lesson in child-parent relationships that can inform the younger sibling what to do, or what not to do, to avoid parental conflict, wrath, and punishment.

In the opening chapters of Hosea, God tells Hosea to marry a promiscuous and adulterous woman. The purpose of this was so that Hosea’s own marriage, his daily reality, would become a living, metaphorical, prophetic message for everyone who knew him and his situation. Life as prophetic performance art.

Today’s chapter is very short. It’s a prophetic exclamation point punctuating Hosea’s obedience, and the very real circumstances he found himself living out because of it. His wife Gomer was, as anticipated, adulterous and fell into a relationship with another man. But there was more to it than sleeping with another man. While the exact circumstances are sketchy, the text makes it clear that Gomer found herself deep in some kind of debt. In order for Hosea to bring Gomer back and restore their marital relationship he was required to pay the debt. Once he has her back, Hosea proclaims that there will be a period of sexual abstinence between them.

There is no mystery in the metaphor. Hosea makes it clear that this period of marital exile is a living picture of the exile that the nation of Israel will experience when they are taken captive by the Assyrians. Just as this period of abstinence is intended to restore the spiritual marital commitment between Hosea and Gomer, it is amidst exile that Israel’s hearts will be changed and they will rediscover God as their first love.

In the quiet this morning, I find myself moved by the fact that Hosea not only took his wife Gomer back after her adulteries, but that he had to pay her debts in order to do so. It is a living picture of Jesus’ own sacrifice, to pay the debt of my willful and repeated choices to go my own way. In paying my debts, Jesus opened the possibility that relationship might be restored between me and God.

Growing up, I learned lessons from the living example of my siblings as I watched them in relationship with my parents. As a result, my own adolescent years were relatively peaceful. In the same way, Hosea’s broken marriage, the redeeming of his unfaithful wife, and his sacrificial love for her are intended to be a living example. The poor choices I make with my free will break relationship with God just like when a spouse freely chooses to commit adultery. But Jesus chose to pay my debt in order that the relationship might be eternally restored. The only thing left to decide is how I will respond to His sacrificial love.

As I enter another work week this morning, I find myself grateful for that love, and motivated to be as faithful to Jesus as Jesus proved Himself faithful for me.

May my life be a positive, living lesson for others to see and follow.

If you know anyone who might be encouraged by today’s post, please share.

#15: God’s Nude, Performance Art Prophet

Top Chapter-a-Day Post #15 (CaD) Wayfarer

Note: I’m on a holiday hiatus through January 9, 2022. While I’m away, I thought it would be fun to reblog the top 15 chapter-a-day posts (according to number of views) from the past 15 years. Cheers!

Originally posted November 7, 2016

…at that time the Lord spoke through Isaiah son of Amoz. He said to him, “Take off the sackcloth from your body and the sandals from your feet.” And he did so, going around stripped and barefoot.
Isaiah 20:2 (NIV)

I am taking a step back this morning and thinking long and hard on this little fact from this morning’s rather short chapter: God told Isaiah to strip and walk around naked as a living word picture and performance art piece that foretold what the Egyptians were going to experience under Assyrian captivity.

I heard the voices of many an uptight grandmother, legalistic preacher, and fundamentalist friend explaining that something must surely be lost in translation and God would never ask His servant to do something so shameful and improper. “Perhaps Isaiah just stripped down to his boxers or something,” I hear the voices say.

Yet just the next verse God makes the message very clear:

“so the king of Assyria will lead away stripped and barefoot the Egyptian captives and Cushite exiles, young and old, with buttocks bared—to Egypt’s shame.” Isaiah 20:4 [emphasis added]

Bare-assed shame was the crux of the message. God was not pulling any punches.

This morning I’m thinking about the ways I let social and societal mores mold the way I see God. The further I get in my life journey the more I’m aware that I sometimes like to put God in the box of my own design, constrained by my own social, cultural, political, and religious preconceptions. The more willing I am to let God out of my own mental and spiritual box, the more deep and full my understanding and appreciation of God becomes, and the more transformative that knowledge becomes in my own life.

If you know anyone who might be encouraged by today’s post, please share.

Prophets, Poets and a Touch of Madness

“Cut off your hair and throw it away; take up a lament on the barren heights, for the Lord has rejected and abandoned this generation that is under his wrath.”
Jeremiah 7:29 (NIV)

There was a fascinating story on CBS Sunday Morning yesterday talking about the connection between creativity and mental illness. There is no doubt that there is a disproportionate number of genius artists, writers, and musicians who struggled with some form of mental condition. Observations of the connection between genius and madness date back to Aristotle, though it’s only been in recent years that the connection has been seriously studied.

As we watched the story Wendy wondered aloud if there isn’t also a disproportionate number of creatives who would be considered Type Four on the enneagram. I would bet that she is right. Creativity often springs from the inherent individuality and expression  natural to Fours.

These thoughts were swimming in my head as I read this morning’s chapter. It begins the transcription of a message God gave to Jeremiah in order that he stand at the gate of the Temple in Jerusalem and proclaim the message. The ancient prophets were often standing in the crowds shouting messages from God.

Amidst the message Jeremiah reports God telling him to shave off his hair and take up the wailing songs and prayers of lament on the “barren heights.” This was another mark of the ancient prophets: acts that today we would call “performance art” (some simple and others quite complex) that God regularly prescribed the prophets to act out in public.

I find that most modern believers approach the prophets with a certain amount of reverence that translates into a white-washed perception of them. Just as Van Gogh sold just one painting in his lifetime, so the prophets were not particularly well received in their day. Only in 20/20 hindsight have their words and reputations been scrubbed clean by institutional religion. As I said before, they were an odd lot. They were often despised and marginalized. They were the sketchy characters from whom parents likely shielded their children:

Mommy? Who’s that strange man over there walking naked and tied to an ox yoke?

Pay no attention, sweetie. Stay away from him. He’s just a crazy old man.”

The prophets were hated, especially by the political-religious class who were commonly the targets of their public, prophetic tirades. The prophets were targeted for assassination and killed by the power brokers of their day. Even Jesus testified to this truth when He confronted the political-religious leaders of His day:

“Woe to you, teachers of the law and Pharisees, you hypocrites! You build tombs for the prophets and decorate the graves of the righteous. And you say, ‘If we had lived in the days of our ancestors, we would not have taken part with them in shedding the blood of the prophets.’ So you testify against yourselves that you are the descendants of those who murdered the prophets. Go ahead, then, and complete what your ancestors started!

“You snakes! You brood of vipers! How will you escape being condemned to hell? Therefore I am sending you prophets and sages and teachers. Some of them you will kill and crucify; others you will flog in your synagogues and pursue from town to town. And so upon you will come all the righteous blood that has been shed on earth, from the blood of righteous Abel to the blood of Zechariah son of Berekiah, whom you murdered between the temple and the altar. Truly I tell you, all this will come on this generation.

“Jerusalem, Jerusalem, you who kill the prophets and stone those sent to you….”

This morning I’m thinking about creativity and its connection to oddity. I’m thinking about God’s use of those odd, strange, mad individuals among us who see what the mainstream doesn’t and express what the mainstream can’t, won’t, and/or doesn’t desire to hear. Prophets, artists, and poets stand as reminders what God said through the prophet Isaiah: “My thoughts are not your thoughts, neither are my ways your ways.”

God’s Nude, Performance Art Prophet

…at that time the Lord spoke through Isaiah son of Amoz. He said to him, “Take off the sackcloth from your body and the sandals from your feet.” And he did so, going around stripped and barefoot.
Isaiah 20:2 (NIV)

I am taking a step back this morning and thinking long and hard on this little fact from this morning’s rather short chapter: God told Isaiah to strip and walk around naked as a living word picture and performance art piece that foretold what the Egyptians were going to experience under Assyrian captivity.

I heard the voices of many an uptight grandmother, legalistic preacher, and fundamentalist friend explaining  that something must surely be lost in translation and God would never ask His servant to do something so shameful and improper. “Perhaps Isaiah just stripped down to his boxers or something,” I hear the voices say.

Yet just the next verse God makes the message very clear:

“so the king of Assyria will lead away stripped and barefoot the Egyptian captives and Cushite exiles, young and old, with buttocks bared—to Egypt’s shame.” Isaiah 20:4 [emphasis added]

Bare-assed shame was the crux of the message. God was not pulling any punches.

This morning I’m thinking about the ways I let social and societal mores mold the way I see God. The further I get in my life journey the more I’m aware that I sometimes like to put God in the box of my own design, constrained by my own social, cultural, political, and religious preconceptions. The more willing I am to let God out of my own mental and spiritual box, the more deep and full my understanding and appreciation of God becomes, and the more transformative that knowledge becomes in my own life.

chapter a day banner 2015

“YOU’RE GOING TO PEE YOUR PANTS!”

source: neratama via Flickr
source: neratama via Flickr

And when they ask you, ‘Why are you groaning?’ you shall say, ‘Because of the news that is coming. Every heart will melt with fear and every hand go limp; every spirit will become faint and every leg will be wet with urine.’ It is coming! It will surely take place, declares the Sovereign Lord.” Ezekiel 21:7 (NIV)

The prophets had to have been a strange lot. They were prone to do strange things and act out obscure (what we would, today, call “performance art”) productions in public places. Their personal lives were often metaphors for the messy spiritual condition of the culture. Their steady stream of public messages were not known for their tact or their propriety.

Take today’s chapter, for example. God tells Ezekiel to stand out in the public square and groan. Not just a little “I think the cream cheese on that bagel didn’t agree with me” groan. GROAN like your beloved mother just died. GROAN like a husband who just found out his wife was sleeping with his best friend. GROAN like you feel a hideous creature ready to burst out of your insides as in the movie Alien. Make a public spectacle of yourself so that people will circle around you in wonder and mothers shoo their young children away from you in fear.

Then, when people start asking Zeke what’s wrong, God tells him to say, “When I tell you YOU’RE GOING TO PEE YOUR PANTS!”

While I’m not sure they would make the most enjoyable dinner guests, there are times when I find the old prophets really refreshing. They remind me that, while there is a time for propriety, there are also times in life for saying things in a way that would make your Aunt Nita blush and shrink back in shame. There are moments for communication that smacks of brash, in-your-face impropriety.

Of course, wisdom is required in choosing the right moments. The key part is knowing when to speak and when to keep silent.

“The Play’s the Thing”

David Tennant as Hamlet
David Tennant as Hamlet

“Now, son of man, take a block of clay, put it in front of you and draw the city of Jerusalem on it. Then lay siege to it: Erect siege works against it, build a ramp up to it, set up camps against it and put battering rams around it. Then take an iron pan, place it as an iron wall between you and the city and turn your face toward it. It will be under siege, and you shall besiege it. This will be a sign to the people of Israel.”
Ezekiel 4:1-3 (NIV)

In the play Hamlet, the young prince of Denmark is faced with a dilemma. His father died and his mother was quickly married to his uncle, the brother of his father. The ghost of Hamlet’s father appears, tells the prince he was murdered by his brother, and tasks Hamlet with revenge. Hamlet is haunted by the vision, the accusation, and his task. He must find a way to verify that the story his father’s ghost told was true.

The idea Hamlet comes up with is to have a visiting troupe of actors write and produce a play that tells the very story his father described: a king murdered by his brother in order that he might marry his brother’s wife. Hamlet knows that if his uncle is guilty of murdering his father, then the uncle will be convicted by the play and Hamlet will know for sure that what his father’s ghost said is true. “The play’s the thing,” Hamlet says, “wherein I’ll catch the conscience of a king.”

In today’s chapter it is God who is saying to Ezekiel, “The play’s the thing.” He commands Ezekiel to do very much what Hamlet did. Ezekiel is going to get out the ancient equivalent of his Legos and erector set and play out the siege of Jerusalem in a marathon performance art piece which will last for well over an entire year. Ezekiel’s public performance was intended to visualize for his people what they were in for if they didn’t turn their hearts around, and to convict them to repent.

In the class I’ve been teaching on Wednesday nights we’ve been exploring metaphor, how it is the foundational way in which God expresses Himself, and the powerful ways we use it to communicate. Today’s chapter serves as a powerful example. He didn’t tell Ezekiel to preach from the street corner. He told Ezekiel to act it out.

source: Michael Buesking (prophetasartist.com)
source: Michael Buesking (prophetasartist.com)