Tag Archives: Seige

Interpreting the Language of God

Artwork by Michael Buesking at prophetasartist.com
Artwork by Michael Buesking at http://www.prophetasartist.com

Now, son of man, take a sharp sword and use it as a barber’s razor to shave your head and your beard. Then take a set of scales and divide up the hair. When the days of your siege come to an end, burn a third of the hair inside the city. Take a third and strike it with the sword all around the city. And scatter a third to the wind. For I will pursue them with drawn sword. But take a few hairs and tuck them away in the folds of your garment. Again, take a few of these and throw them into the fire and burn them up. A fire will spread from there to all Israel.
Ezekiel 5:1-4 (NIV)

Ezekiel’s performance art piece continues in today’s chapter. After a year and three months to act out the siege of Jerusalem, God tells Ezekiel to cut off his hair and weigh it on the scales. Burn a third, strike a third, scatter a third, but tuck a few into your cloak.

The word picture God has Ezekiel act out is actually very direct.

Think of how Jesus described our importance to God. He said, “even the hairs of your head are all numbered.” Ezekiel cutting off his hair is a picture of the cutting off of all those numbered, important ones – God’s people.

We all know that scales represent justice. Almost every courthouse in the country has a statue of the woman, Justice, blindfolded and holding out the scales. Think of what we just read in the stories of Daniel when Daniel interprets the dream of Belshazzar:

You have been weighed on the scales and found wanting.

God is going to allow His people to be cut off from Jerusalem in judgement.

  • Burn a third: Jerusalem will burn in the siege, a third of the people will die in the fire
  • Strike a third with with the sword: One third will be killed in the battle/siege
  • Scatter a third: One third will be scattered to the four winds, a diaspora
  • Tuck a few: God will tuck away a small remnant into His keeping and protection (exactly what happened with Ezekiel, Daniel and his three Amigos, and the remnant in Persia)

To understand the prophets, we must learn to think in word pictures and allegory. We hear God’s command to Ezekiel and picture his acting all of this out on the street, and we think that we would probably have dismissed him as a crazy fool. Yet even Shakespeare knew that it is usually the fool who knows and speak the truth, and he used that as a device over and over again. Through Ezekiel and his contemporaries, God attempted to communicate what he was about to do through the acting out of metaphors that even an uneducated person could understand.

Today, I’m struck once more by the language of metaphor that God wove into the fabric of creation. It is the basic means by which God expresses Himself in profound ways that touch and move both mind, soul, and spirit. To become effective communicators, we must learn to both hear and to speak in that same language.

“The Play’s the Thing”

David Tennant as Hamlet
David Tennant as Hamlet

“Now, son of man, take a block of clay, put it in front of you and draw the city of Jerusalem on it. Then lay siege to it: Erect siege works against it, build a ramp up to it, set up camps against it and put battering rams around it. Then take an iron pan, place it as an iron wall between you and the city and turn your face toward it. It will be under siege, and you shall besiege it. This will be a sign to the people of Israel.”
Ezekiel 4:1-3 (NIV)

In the play Hamlet, the young prince of Denmark is faced with a dilemma. His father died and his mother was quickly married to his uncle, the brother of his father. The ghost of Hamlet’s father appears, tells the prince he was murdered by his brother, and tasks Hamlet with revenge. Hamlet is haunted by the vision, the accusation, and his task. He must find a way to verify that the story his father’s ghost told was true.

The idea Hamlet comes up with is to have a visiting troupe of actors write and produce a play that tells the very story his father described: a king murdered by his brother in order that he might marry his brother’s wife. Hamlet knows that if his uncle is guilty of murdering his father, then the uncle will be convicted by the play and Hamlet will know for sure that what his father’s ghost said is true. “The play’s the thing,” Hamlet says, “wherein I’ll catch the conscience of a king.”

In today’s chapter it is God who is saying to Ezekiel, “The play’s the thing.” He commands Ezekiel to do very much what Hamlet did. Ezekiel is going to get out the ancient equivalent of his Legos and erector set and play out the siege of Jerusalem in a marathon performance art piece which will last for well over an entire year. Ezekiel’s public performance was intended to visualize for his people what they were in for if they didn’t turn their hearts around, and to convict them to repent.

In the class I’ve been teaching on Wednesday nights we’ve been exploring metaphor, how it is the foundational way in which God expresses Himself, and the powerful ways we use it to communicate. Today’s chapter serves as a powerful example. He didn’t tell Ezekiel to preach from the street corner. He told Ezekiel to act it out.

source: Michael Buesking (prophetasartist.com)
source: Michael Buesking (prophetasartist.com)

Chapter-a-Day Isaiah 36

Under seige. The three men were silent. They said nothing, for the king had already commanded, "Don't answer him." Isaiah 36:21 (MSG)

It was common in Isaiah's day for conquering armies to send a "mouthpiece" to brag, boast and tear down the confidence of the beseiged city's people. It was a form of psychological warfare. If the city was scared enough, they might surrender and everyone would be delivered from bloodshed, starvation, and, potentially, years of tedious stand-off.  Armies would hurl insults and paint gruesome word pictures to try and convince the citizens of the town to surrender. Isaiah 36 is a great historical record of what this sounded like. We see this same tactic used through recorded history. Shakespeare's King Henry V did a little trash talking of his own outside the city gates of Harfleur:

If not, why, in a moment look to see
The blind and bloody soldier with foul hand
Defile the locks of your shrill-shrieking daughters;
Your fathers taken by the silver beards,
And their most reverend heads dash'd to the walls,
Your naked infants spitted upon pikes,
Whiles the mad mothers with their howls confused
Do break the clouds, as did the wives of Jewry
At Herod's bloody-hunting slaughtermen.
What say you? will you yield, and this avoid,
Or, guilty in defence, be thus destroy'd?

Henry V Act 3 scene III

Today, these same tactics are used through television, radio, and the internet to lay seige to ideas, faith, and world-views. There is a time and place for reasoned conversation and response. I am reminded today by King Hezekiah's command to his advisors that sometimes the best response is to say nothing and let God have the last word.

God's Message says that there is a time to speak and a time to be silent. Wisdom is often required to know which time you are in at any given moment. God, help me to know today when to speak, and when to be silent.

Creative Commons photo courtesy of Flickr and mharrsch

Chapter-a-Day 2 Kings 18

Then he stepped forward and spoke in Hebrew loud enough for everyone to hear, "Listen carefully to the words of The Great King, the king of Assyria: Don't let Hezekiah fool you; he can't save you. And don't let Hezekiah give you that line about trusting in God, telling you, 'God will save us—this city will never be abandoned to the king of Assyria.' Don't listen to Hezekiah—he doesn't know what he's talking about. 2 Kings 18:28-31a (MSG)

Taking a step back and looking at today's chapter and you find a great example of the ancient art of seige warfare. Seige warefare has been a lucrative enterprise throughout history and the Assyrians would have easily made the all-star team. It's bullying and extortion on a national level. You simply amass a large army, surround a weak city, and then demand a huge sum of money to back down. If the city refuses, you destroy it mercilessly (the Assyrians were known to hack the limbs off their victims and leave piles of disembodied arms and legs outside the city gate as a calling card). If the city was too big or well fortified, you simply waited and let the inhabitants of the city slowly starve to death and implode because you've cut off their supply lines. Of course, you make sure a few survivors make it out and escape to nearby towns so that the news of your terror psychologically begins to intimidate the next city on your list.

Part of successful seige warfare was the application of psychological pressure by continually taunting the surrounded city. It was the ancient form of talking smack that you still see on the football field or basketball court. If you can get inside your opponent's head, you have the edge.

I believe we all have experienced, even to a minimal degree, a feeling of being beseiged. It could be bullying on the playground, being the victim of the neighborhood gang, or being singled out and verbally beat down by a parent, teaching, coach or authority figure. I think that our spiritual enemy uses the same tactics: surround, cut off, harass, intimidate, and get inside the head.

The answer to a seige is perseverance, strong will, and a Deliverer.