Tag Archives: Genre

Call and Response

Call and Response (CaD Ps 134) Wayfarer

Praise the Lord, all you servants of the Lord
    who minister by night in the house of the Lord.
Psalm 134:1 (NIV)

My nephew Sam and his family came to visit last Sunday to hear Uncle Tom’s message among our local gathering of Jesus’ followers and hang out with me and Aunt Wendy for the day. Sam mentioned that in their hour-long drive that morning they’d been listening to the music of an artist that his father introduced him to back in his childhood.

I love all kinds of music, and I consciously endeavored to introduce our daughters to all kinds of music. I even made compilation CDs of different genres and wrote liner notes to introduce them to some of the classic artists and songs of the genre. One of my favorites was Papa’s Got the Blues. In the liner notes, I described the connection between the blues and black gospel. One of the devices that both used is “call and response.” The lead singer calls out in song and the congregation/crowd responds with a word or phrase.

While the device is widely used in more recent musical genres, it is ancient.

Today’s chapter, Psalm 134, is the final in a series of “songs of ascent” that the editors who compiled the anthology of Hebrew song lyrics put together. The song is a fitting end to this section. It is comprised of only three-lines that were an ancient version of “call and response” that was sung between pilgrims who had spent the day worshipping at the temple and are leaving at nightfall Levites working at the Temple.

Members of the Hebrew tribe of Levi were responsible for the care, upkeep, and activities of the Temple (except for priestly acts that could only be done by descendants of Aaron). The lyrics of the song picture exiting worshippers blessing the Levites who will remain at the Temple to perform their duties through the night. The pilgrims sing:

Praise the Lord, all you servants of the Lord
    who minister by night in the house of the Lord.
Lift up your hands in the sanctuary
    and praise the Lord.

The Levite(s) then bless the worshippers as they exit:

May the Lord bless you from Zion,
    he who is the Maker of heaven and earth.

The reality is that “call and response” is actually a broader spiritual theme in the psalms and in the Great Story. Many psalms begin with a “call” to God anticipating the “response” to the song, prayer, and petition. In 1 Samuel, God “calls out” the boy Samuel who is confused until the priest instructs him to provide the response “Speak, Lord, for your servant is listening.” In the Jesus story, a blind man incessantly “calls out” to Jesus and Jesus responds by healing him.

In the quiet this morning I find myself meditating on the spiritual notion of “call and response” which works in both directions. God’s Word and Spirit may “call out” to me. Am I listening? Will I respond? How will I respond? At other times, I am like the songwriters of the psalms, calling out to God in faith that God will respond. Either direction, there is an interaction that is relational.

“Here I am!” says Jesus in Revelation 3:20. “I stand at the door and knock. If anyone hears my voice [calling] and [responds, as in] opens the door, I will come in and eat with that person, and they with me.

Of Change and Health

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Awake, harp and lyre!
    I will awaken the dawn.

Psalm 108:2 (NIV)

Do you ever have random conversations that stick in your memory? I was on a trip with a colleague. While aware that we are each followers of Jesus, we didn’t talk about spiritual things very often. My colleague comes from a very conservative, almost fundamentalist viewpoint on things and he surprised me by wanting to ask my opinion about the weekly worship among the institutional church where he was a member.

It happened that my colleagues tribe had recently made the switch from a very traditional worship experience that involved singing traditional hymns, many of them having been in existence for hundreds of years. The church was migrating to using songs of the present-day genre. He was clearly struggling with this.

I have shared many times that I have been a spiritual wayfarer who has experienced and participated in a rich diversity of spiritual traditions. I have been in the emotionally rockin’ pentecostal tradition, the corporate silence of the Quaker Meeting House, the high-church liturgy of Roman Catholic church, the call-and-response of the black church, the intellectual approach of mainline institutions, the simplicity and sincerity of rural worship in a developing country, and the down-home family environment of a “house church.” My attitude has never been to ask “Which is right?” In fact, I’ve never really worried about asking “Which is right for me?” I’ve always tried to be fully present where I have been been led and ask myself “What good can I gain from this experience?”

I am aware, however, that my colleague has a more black-and-white view of both faith and life. The change in music genres within his local gathering had him rattled.

Colleague: “I’m struggling with these ‘seven-eleven’ songs. It’s the same seven lines sung eleven times.”

Me: “You mean like Psalm 117 that only has two lines which were likely repeated in worship?”

Colleague: “It’s just so repetitive. Singing the same thing over and over.”

Me: “You mean like Psalm 136 that repeats ‘His love endures forever’ twenty-six times?”

Colleague: “It’s not right. They take little pieces of a great hymn and mess it up by changing it. It was meant to be sung in its entirety!”

As this point, I could have pointed my colleague to today’s chapter, Psalm 108, because the entire thing is simply a cut-and-paste mash-up of Psalm 57:7-11 and Psalm 60:5-12. In fact, there are multiple examples both in the Psalms and in the writings of the ancient prophets when entire sections would be cut-and-pasted into an updated work. There are also examples of this in other ancient Mesopotamian cultures. It was quite common.

I don’t really know how the conversation landed with my colleague. I could tell that he was disappointed (maybe even a little frustrated) that I didn’t agree with him and provide him an affirmation of his opinions. He never brought it up again.

In my life, I have found change to be really difficult for people in almost any circle of life. When you mix in both change and religious tradition it can take on an added layer of emotion. Suddenly the change gets escalated to a level of religious orthodoxy. Sides are taken. The discussion escalates to arguments. Then comes entrenchment. Very often the next step is the severing of relationships. Groups split.

Along my spiritual journey, I have always assumed that change is a natural part of creation. Most things in life cycle in one way or another. What goes around comes around. Styles come back around and get freshened up. Religious traditions and practices that were once abandoned as “old and outdated” come back in vogue to bless a new generation of Jesus’ followers.

So it is that as I watch the changes that constantly happen around me on multiple levels, I try to keep my emotional reactions in check. Instead of digging in my heels and demanding that my love of the perfectly acceptable way of doing things is understood, I try to divert my energy to asking “What good might be gained from this change?”

In the quiet this morning, I find myself reminded of a mantra that I was introduced to by my friend. It made its way around the internet and I am unsure of the source. I once used it in a message, but I don’t know that I’ve ever referenced it in one of my chapter-a-day posts. It’s always stuck with me:

Healthy things grow.
Growing things change.
Change challenges me.
Challenges force me to trust God.
Trust leads to obedience.
Obedience makes me healthy.
Healthy things grow.
..

Papa’s Got the Blues

As our daughters grew up, I wanted them to appreciate all kinds of art and music. My own musical tastes run the gamut and I’ve found that every genre has a place in the soundtrack of my life journey, if even for a moment. I wanted that for them, as well.

As the girls grew I started making compilation CDs for them. I wanted to pass on a few of the things I learned and appreciated about my favorite genres of music, expose them to a few of the classic artists and songs, as well as share with them a few of my favorite tunes and how they connect to my life. It’s still an unfinished project. I have two or three CDs still on my task list to compile for them.

Most of the time I simply wrote out some liner notes for the CD in which I shared a paragraph or two about every cut on the CD. When it came to my Blues compilation, I had been playing around with learning an eBook publishing app, so I thought it would be fun to experiment and turn my liner notes for the CD into a graphic eBook.

A few weeks ago Wendy and I were in Mexico for the wedding of her sister, Suzanna. Suzanna lived with Wendy and me for a few years as she finished high school. During her time with us, I had shared my blues compilation, Papa’s Got the Blues with her, as well. The night before her wedding she went out of her way to tell me she still had the CD and loved it.

So, that got me thinking that it might be a fun thing to post that others might also enjoy. So, Merry Christmas! Here you go. Be sure to download the eBook and follow along. If you have Spotify, you should be able to find the playlist and add it to your own set of playlists, if you so desire.

Happy listening! Cheers!