Tag Archives: Music

“Give Them a Song”

“Now write down this song and teach it to the Israelites and have them sing it, so that it may be a witness for me against them.”
Deuteronomy 31:19 (NIV)

I was scrolling through all the playlists in my Spotify music library the other day. I have a lot of them. I came across the playlist I’d made for my mom towards the bottom. This coming St. Patrick’s Day will be three years since we gathered to celebrate her heavenly homecoming. In a funny way, music became the last language my mother and I shared.

I made a short playlist of favorite songs from her youth. I and my siblings were taking turns caring for her while our dad was in the hospital, and I would play the list while we were in the car driving. Her Alzheimer’s was so advanced that by the time we got to the songs at the end of the playlist she had forgotten that we’d even played the songs at the beginning.

I drove and she sang repeatedly through the short playlist. She remembered every word of the lyrics even as she announced with every repeated song. “Oh! I haven’t heard this song in a long time. This is a ‘goldy oldy!'”

In her final days at the care center she would be visited in her room by music therapists.

“Do you know the the song…,” the therapist would ask.

Mom always shook her head.

Then she proceeded to sing right along with them.

In all of creation, God infused music with a secret super power. It embeds itself in our minds. It sinks into our souls. It attaches itself to memories. As soon as I hear the opening guitar riff of Long Cool Woman by the Hollies I am immediately transported to the summer of 1975. I’m in Cabin #3 at Camp Idlewood on a rainy afternoon listening to music on the 8-track with my sister and the other kids from the camp. I can see it. I can hear the laughter.

There’s just something about a song.

We’re in the homestretch of Deuteronomy. Moses has finished reminding the next generation of God’s Law. He’s written it all down so there’s a permanent record that can be read and remembered. He begins to pass the torch of leadership to Joshua.

“Wait a minute,” God says to Moses. It enters the moment almost like an interruption. “I want to give you a song, and I want you to teach it to all the people.”

Then God says, “It will be a witness for me against them.”

It’s easy to forget laws and regulations written on a scroll that only gets read every seven years.

A song embeds itself in the mind.
It sinks into the soul.
It attaches itself to memory in a way that even Alzheimer’s disease finds itself powerless to erase the tape.

“Give them a song,” God says.

He knows that in forty years when they’ve settled into the land their hearts and lives are going to wander. They will forget God. They will forget what He taught them through Moses. The song, however, will transport them immediately back to this moment on this day by the River Jordan. They’ll see the people assembled. They’ll be able to smell the river. They’ll feel the sun on their face.

God, Moses, Joshua, Torah, and covenant.

When my mother had forgotten my name, she still knew all the lyrics to Sh Boom (Life Could Be a Dream) by the Crew Cuts.

If you want someone to remember. Give them a song.
God did.

If you know anyone who might be encouraged by today’s post, please share.

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The Music Tool

The Music Tool (CaD Ezk 19) Wayfarer

With hooks they pulled him into a cage
    and brought him to the king of Babylon.
They put him in prison,
    so his roar was heard no longer
    on the mountains of Israel.

Ezekiel 19:9 (NIV)

A year or so ago, my friend Mitch Matthews posted on social media about his “Reset” playlist. He had a playlist made up of songs meant to help him “reset” his mental and emotional attitude. The rules were that the songs had to be upbeat and you had to be able to dance to them. Actually, they had to be the kind of songs that when you hear them you just can’t help but start movin’.

It was a silly little post, but it motivated me to start my own “Reset” playlist of mood altering grooves on Spotify. And, wouldn’t you know it? I find myself pulling that playlist up when I’m in a mental funk and need a little musical funk to lift my spirit.

Music has been used throughout history for very specific reasons. I typically have Gregorian chants playing as I read, meditate, and write in the morning. Wendy and I typically have quiet, peaceful music playing softly in the house during the day just to soothe the mind and soul. Armies marched to music of a certain cadence to keep them moving and in step. Likewise, sea-shanties kept sailors pulling at the rigging or the oars, and work songs were popular in the fields or on the chain-gang.

Today’s chapter is handicapped for the modern reader because it lacks the musical context that gave it metaphorical power back in Ezekiel’s day. The words are lyrics to a funeral dirge specifically meant for lamenting the death of a king and they were meant to be sung or chanted to a specific genre of music that everyone would recognize as such.

The lyrics mourn the fall of not one, but two kings of Judah. The first is Jehoahaz who reigned only three months before being led into captivity by Pharaoh Necho of Egypt. The second is likely Zedekiah and was probably intended as a prophetic warning to the reigning king in Jerusalem of his fate. Just as Jehoahaz was led of to Egypt, Zed’s children will be slaughtered before his own eyes and he will be taken captive to Babylon. Thus, the funeral dirge to predict and mourn his fall.

In the quiet this morning, I find myself simply reminded of the power of music as a tool. Music communicates such a range of thoughts and emotions. Ezekiel leveraged that reality to metaphorically make a prophetic point for his audience. I can leverage it to express an entire range of emotions or to soothe or lift my spirit.

Oh, and here’s a preview of my “Reset” playlist on Spotify. If you have Spotify you can see the list and listen here. Have a groovin’ weekend, friend.

If you know anyone who might be encouraged by today’s post, please share.

“Young and Old”

"Young and Old" (CaD 1 Chr 25) Wayfarer

Young and old alike, teacher as well as student, cast lots for their duties.
1 Chronicles 25:8 (NIV)

This past Sunday, I gave the message among our local gathering of Jesus’ followers. In the message, I shared briefly about my youth pastor, Andy, who was a real mentor to me when I was in high school.

One of the things that Andy impressed upon me and my fellow students in those days was the fact that there was no age minimum when it came to having spiritual gifts and using them for God’s Kingdom. When it came to a two-year discipleship program that Andy wanted to offer for our high school youth, he chose four students to be trained and to lead the class for both students and their parents. Encouraging us to embrace that we had spiritual gifts and that God wanted to use us even though everyone else saw us as “just kids” was transformational.

I continue to beat that same drum today. How many great things could happen if young people stopped zoning out in front of screens, chasing likes, and were given permission to embrace and unleash their spiritual gifts and passions in tangible ways?

I also mentioned in my message that spiritual gifts and using them for God’s Kingdom do not come with an expiration date, either. Just this last week I had a casual conversation with the former CEO of a global corporation who now tries to help individuals and organizations harness the opportunities represented in those who have “retired” from their careers but still have as many as 20 to 30 years of life ahead of them in their “third phase.” Our culture embraces “retirement” but nowhere in the Great Story have I ever found God telling anyone their services are no longer needed. God numbers our days for His purposes, not mine. If I wake up in the morning, there’s a purpose He has for me this day.

I thought about these things as I read another one of the admittedly boring chapters of lists. In today’s list, the Chronicler lists those members of the tribe of Levi who were musicians and assigned to play for worship in the temple. It was fascinating that the ancient Hebrews made a connection between music and spiritual sight. There was a connection between music and prophesy, synonymously referred to as “seer.” I confess that I’ve always envied gifted musicians and singers. Alas, my gifts lie elsewhere.

What struck me the most in today’s chapter was that when it came to assigning the musicians who would be responsible for playing music for worship in the Temple on a rotating basis, they cast lots. “Young and old alike, Teacher as well as student.” In other words, there was no age or educational restriction. God wanted young and old, experienced and inexperienced, both teacher and trainee to play before Him. Even a “joyful noise” is sweet music to God’s ears when it is played with a devoted and aspiring spirit.

In the quiet this morning, I find myself meditating on the difference Andy made to a generation of us back in the day. Andy believed and convinced us there was nothing we couldn’t accomplish for God if we had faith and shrugged off the restrictions society and culture placed on us, even in spiritual matters. You can still find so many of my peers from those years around the globe still focused on ushering God’s Kingdom through everything they do, no matter their vocation or calling.

I also find myself, once again, reflecting on the impending “third phase” of life that sits out there on the horizon. I have no idea exactly what that looks like. I do know, however, that my endeavor is to never retire from God’s callings and purposes for me as long as I have life and breath.

If you know anyone who might be encouraged by today’s post, please share.

Good for the Soul

Good for the Soul (CaD 1 Sam 16) Wayfarer

“Let our lord command his servants here to search for someone who can play the lyre. He will play when the evil spirit from God comes on you, and you will feel better.”
1 Samuel 16:16 (NIV)

I have mentioned before the three questions that I regularly ask myself when I’m trying to gain my bearings on this life journey:

  • Where have I been?
  • Where am I at?
  • Where am I going?

The question “Where have I been?” tends to take me down two trails of thought. One is to think about how life itself has changed from an external perspective. Daily life, work, politics, culture, technology, and the like. The other is to think about how I have personally and internally changed over time.

Today’s chapter is pivotal in the larger story that the author of 1 Samuel is telling. It’s like that episode in a good drama series when you realize all the characters and circumstances are lining up for a major conflict, and you can’t wait to get to the next episode to see how it all plays out.

Having rejected Saul as King, God sends Samuel to the “little town of Bethlehem” (Yep, the same town where Jesus was born), to the home of a man named Jesse. Samuel has Jesse bring out all of his sons, one by one, to determine which of them God has chosen to be anointed as King. Jesse parades all seven of his older sons, but not one of them is the right one. Seven is a fascinating number because it’s the number of completion. It’s almost like saying that Jesse showed Samuel the complete package of sons he considered worthy or capable of being chosen by God, completely dismissing his youngest son, David. God, however, chooses what the world dismisses. David is called for and anointed King.

Now we have the rejected King Saul, still on the throne and slowly descending into madness. We also have God’s anointed King: David, a shepherd boy from a podunk town in the region of Judah. Saul’s attendants suggest to him that music would be soothing for his tortured soul when he descends into one of his fits. One attendant remembers this kid, David, who was a pretty good musician. So Saul calls for David, enjoys his playing, and brings David into his service as minstrel and armor-bearer.

The plot thickens. This is a set-up for a major conflict. Shakespeare himself could not have framed this storyline any better.

What struck me as I read this chapter was the fact that music was recommended as a remedy for Saul’s mental, emotional, and spiritual funk. This got me thinking about how music has increasingly become a constant in Wendy’s and my daily lives. Looking back at my earlier years, the television was always on. I was a news radio and sports radio junkie. I put the morning news on first thing in the morning. I had it playing in the background all day, and I went to bed watching the 10:00 news before falling asleep to whichever late-night talk show happened to be my favorite at the time.

Today, Wendy and I almost never watch the news, but music is almost always playing in the background. Gregorian chants and classical choral music accompany my quiet time each morning. Some of our favorite worship music accompanies our morning routine and often continues softly in the background of the kitchen through the rest of our day. I might have some oldies playing as I get shaved, showered, and dressed. Some of my favorite classic southern rock is the staple when I’m working in the garage or on house projects. When I’m working in my office during the day, it’s usually some kind of soothing spa playlist or some baroque classical. We have playlists to accompany drinks and/or dinner when we have friends or loved ones over. Music accompanies our daily life.

In the quiet this morning, I’ve come to the conclusion that my habits changed with the rise of the internet and the 24-hour news cycle. Headlines turning mole-hills of news into mountains of crisis, talking heads screaming at each other, news anchors waxing repetitiously saying the same things over and over again, it all added levels of stress, anxiety, and fear that drained Life out of me. Music, on the other hand, is medication for my soul. It soothes, inspires, brings joy, sparks memories, and prompts me to spontaneously hum and sing.

In a few minutes, I’ll head downstairs for my blueberry-spinach smoothie and a fresh cup o’ joe. Wendy and I will peruse the news online to stay abreast of what’s going on in the world, and we’ll share our thoughts and opinions with one another. We will then choose to shut our tablets, put the news away, and enter the tasks of our day, accompanied by music.

Even the ancients knew that music was good for the soul.

If you know anyone who might be encouraged by today’s post, please share.

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Call and Response

Call and Response (CaD Ps 134) Wayfarer

Praise the Lord, all you servants of the Lord
    who minister by night in the house of the Lord.
Psalm 134:1 (NIV)

My nephew Sam and his family came to visit last Sunday to hear Uncle Tom’s message among our local gathering of Jesus’ followers and hang out with me and Aunt Wendy for the day. Sam mentioned that in their hour-long drive that morning they’d been listening to the music of an artist that his father introduced him to back in his childhood.

I love all kinds of music, and I consciously endeavored to introduce our daughters to all kinds of music. I even made compilation CDs of different genres and wrote liner notes to introduce them to some of the classic artists and songs of the genre. One of my favorites was Papa’s Got the Blues. In the liner notes, I described the connection between the blues and black gospel. One of the devices that both used is “call and response.” The lead singer calls out in song and the congregation/crowd responds with a word or phrase.

While the device is widely used in more recent musical genres, it is ancient.

Today’s chapter, Psalm 134, is the final in a series of “songs of ascent” that the editors who compiled the anthology of Hebrew song lyrics put together. The song is a fitting end to this section. It is comprised of only three-lines that were an ancient version of “call and response” that was sung between pilgrims who had spent the day worshipping at the temple and are leaving at nightfall Levites working at the Temple.

Members of the Hebrew tribe of Levi were responsible for the care, upkeep, and activities of the Temple (except for priestly acts that could only be done by descendants of Aaron). The lyrics of the song picture exiting worshippers blessing the Levites who will remain at the Temple to perform their duties through the night. The pilgrims sing:

Praise the Lord, all you servants of the Lord
    who minister by night in the house of the Lord.
Lift up your hands in the sanctuary
    and praise the Lord.

The Levite(s) then bless the worshippers as they exit:

May the Lord bless you from Zion,
    he who is the Maker of heaven and earth.

The reality is that “call and response” is actually a broader spiritual theme in the psalms and in the Great Story. Many psalms begin with a “call” to God anticipating the “response” to the song, prayer, and petition. In 1 Samuel, God “calls out” the boy Samuel who is confused until the priest instructs him to provide the response “Speak, Lord, for your servant is listening.” In the Jesus story, a blind man incessantly “calls out” to Jesus and Jesus responds by healing him.

In the quiet this morning I find myself meditating on the spiritual notion of “call and response” which works in both directions. God’s Word and Spirit may “call out” to me. Am I listening? Will I respond? How will I respond? At other times, I am like the songwriters of the psalms, calling out to God in faith that God will respond. Either direction, there is an interaction that is relational.

“Here I am!” says Jesus in Revelation 3:20. “I stand at the door and knock. If anyone hears my voice [calling] and [responds, as in] opens the door, I will come in and eat with that person, and they with me.

Songs of Assurance

Songs of Assurance (CaD Ps 121) Wayfarer

I lift up my eyes to the mountains—
    where does my help come from?

Psalm 121:1 (NIV)

One summer of high school my friend Neal and I found ourselves standing in the middle of a desert in Mexico. It was something like 117 degrees that day. There were several vans of youth along with a few cars making our way toward Acapulco when one of the vehicles had an issue. Our local guide stayed behind to wait for and deal with a mechanic and our youth pastor told Neal and me to stay with him. I remember thinking, “This has got to be one of the strangest moments of my life.”

I don’t remember being afraid, exactly. Our guide was a native who was more than capable of making sure we’d manage. Neal was a great companion to have if you’re stuck in the Mexican desert. He’s a walking stand-up comedian act and can make any circumstance entertaining. Nevertheless, this was well before cell phones and there were a lot of “What ifs….” that ran through my mind.

I thought about that afternoon as I read today’s chapter, Psalm 121. It’s another “Song of ascents” that pilgrims would sing on the road to Jerusalem as they made their way to one of the annual festivals. The rugged mountainous terrain around Jerusalem could be somewhat dangerous for pilgrims as thieves and robbers were common. There’s a reason Jesus used a man beaten by robbers in the parable of the Good Samaritan. His listeners would identify with that. It was a concern for any traveler in those days.

It’s helpful to read the lyrics of this song as you imagine yourself with a caravan of other pilgrims walking toward Jerusalem. In the distance you see Mount Zion and Solomon’s Temple which, for them, was God’s earthly residence. So, looking to the mountains and asking “Where does my help come from?” would have been associated with the destination of their pilgrimage. Being safe on the road, not getting injured, being protected from harm walking by day and camping outdoors at night, this song was a repeated proclamation of faithful assurance in their “coming and going” to and from Jerusalem.

In the quiet this morning, I am reminded by the lyrics of this song that sometimes I need words of assurance and affirmation along this life journey. They don’t magically protect me from harm, but they do help me to keep fear, anxiety, and insecurity in check. They remind me of God’s faithfulness no matter my circumstances.

In our bedroom, Wendy and I have a piece of encaustic artwork I bought for Wendy this past Christmas. Three little birds stare at us when we get up each morning and when we lie down each night. Behind the artwork is another frame with the lyrics of a Bob Marley tune: “Every little thing is gonna be alright.”

“I rise up this morning, smile with the risin’ sun,
Three little birds perched by my doorstep.
Singing a sweet song, with a melody pure and true.
This is my message to you:
Don’t worry about a thing ’cause
Every little thing is gonna be alright.”

I’ve always thought the song to be Marley’s reggae riff on the same encouragement and affirmation Jesus gave to His followers:

“What’s the price of two or three pet canaries? Some loose change, right? But God never overlooks a single one. And he pays even greater attention to you, down to the last detail—even numbering the hairs on your head! So don’t be intimidated by all this bully talk. You’re worth more than a million canaries.”
Luke 12:6-7 (MSG)

Just like the Hebrew pilgrims singing Psalm 121, I have my Bob Marley psalm of assurance that reminds me both day and night.

(By the way, our afternoon stranded in the hot, Mexican desert sun was uneventful. Another van full of youth saw us by the road, pulled over to make sure we were okay, and handed us an ice-cold gallon of orange juice. Every little thing was alright.)

Songs With Purpose

Songs With Purpose (CaD Ps 120) Wayfarer

Woe to me that I dwell in Meshek,
    that I live among the tents of Kedar!
Psalm 120:5 (NIV)

One summer of high school I got a job pollinating corn. It was the closest I got to working in agriculture. It was a hot, sweaty boring job walking through the fields. Each day I came home I was yellow from head to foot with corn pollen. I worked in the field with my friend Brian, and I will always remember it as the summer that I learned about work songs. Our crew would sing together as we worked and Brian, being a bit of natural comic, made-up work songs (think Harry Belafonte’s Banana Boat song) for us to sing as we made our way through the tall rows of corn. I still remember one song…

We work all day, and we work all night.
Three-ninety hour, hey! And that’s all right!
Day-O! Day-O!
Work for the dolla, everybody holla!
Sing Day-O!

My ol’ lady say, she say, “Bring home da pay,
Don’t you be gamblin’ it all away!”
I say, “No way, I’m gonna bring home da pay.
No way! I’m going gamblin’ today!”

There’s more, but I’ll spare you the part about hoecakes and a septic tank. I’m sure you get the idea. What connected with me that summer was that certain songs have a specific purpose in the human experience.

What that silly experience taught me that summer was that creativity often flourishes amidst repetitive, monotonous physical labor. My body was doing this repetitive act and my brain needed something to do. To this day, I find that some of my best message preparation and creative inspirations come when I’m engaged in some repetitive, mindless, physical activities like taking a shower, mowing the lawn, or doing the dishes.

The other thing I learned is that singing together as we worked helped create a sense of camaraderie. I couldn’t see my friends and co-workers through tall, thick corn stalks. Singing together made me feel less alone and reminded me that everyone on my crew was in this thing together. It was a fun way to pass the time in a boring job.

With today’s chapter, Psalm 120, our chapter-a-day journey brings us to a series of songs with the liner note: “a song of ascents.” The ancient Hebrews had seasonal religious festivals that required them to make a pilgrimage to the temple in Jerusalem where they would worship and make both sacrifices and offerings. It was a national thing, so large groups of people from villages and communities all over would travel together. And, since “pilgrimage” in those days meant hoofing it for miles and days for most people, they would pass the time by singing songs as they “ascended” towards Mount Zion and up the steps of the temple.

Today’s ancient Hebrew ditty is just a short song of lament in which the singer cries out to God to deliver him from being the victim of deceit. He feels stranded in his situation. When he says “I dwell in Meshek” (a far-away city north in Asia Minor) and “I live among the tents of Kedar” (a far-way city south in Arabia) he was metaphorically singing about feeling like he was in exile. Sort of like me saying, “I feel alone in a crowd.”

So why would one sing this song on pilgrimage? I can only speculate that the seasonal festivals were waypoints of the year in which one would focus on bringing to God both their gratitude and laments. Going to the festival and worshipping at the temple was the time for an individual to take care of business with God, even the business of feeling the victim of other people’s deceits.

In the quiet this morning, the chapter has me thinking once again about the powerful role that music plays in my worship, my work, my play, and my life. It has me thinking about the spiritual journey of Lent that I’m in, and how music might play a role in that in a way I’ve never thought about. What songs can help me focus on this virtual pilgrimage of spirit? What if I created a playlist specifically for this season with songs that help center my heart and mind? What songs should I put on that list, and why?

Music, Ritual, & Meaning

Music, Ritual, & Meaning (CaD Ps 118) Wayfarer

Give thanks to the Lord, for he is good;
    his love endures forever.

Psalm 118:29 (NIV)

Music plays such a fascinating role in the human experience. Music has the power to express thought and emotion in ways more potent than the mere words themselves. Music has a unique ability to bring people together in unity, even complete strangers. It happens in sporting events, in religious events, civic ceremonies, and virtually every birthday party you’ll go to or happen upon. Music is typically a part of every funeral service. I personally can’t hear Taps without it stirring emotion in me.

Last week I mentioned in these chapter-a-day posts that Psalms 113-118 make up series of songs known at the Hallel in Hebrew. They are the songs sung throughout the Hebrew feast of Passover. Today’s chapter, Psalm 118, is the final song. The lyrics were originally written to be a song of Thanksgiving that the king would sing with the people after a great victory. The “king” does most of the singing the way this song was structured, singing verses 5-21. In verses 22-27 the people rejoice over what God has done. The king then sings the final two verses.

What I found interesting as I read through and mulled over the song in the quiet this morning, is that it’s traditionally believed that Jesus and His followers were eating the Passover meal together the night He would be betrayed and arrested. If this is true, it is very possible that when Matthew records “When they had sung a hymn, they went out to the Mount of Olives” it was Psalm 118 they were singing.

With that in mind, I went back and read the lyrics again, this time I imagined Jesus singing the part of the king and His followers the part of the people. Jesus knew what was about to happen. He predicted it on multiple occasions and he pushed the buttons that put into motion the political mechanism that would seal His earthly fate. I read the lyrics, placing myself in Jesus’ sandals, knowing what was about to happen the next day and on the third day.

It gives the lyrics a whole new layer of meaning as He sings:

The Lord is with me; I will not be afraid.
    What can mere mortals do to me?

I will not die but live,
    and will proclaim what the Lord has done.

Open for me the gates of the righteous;
    I will enter and give thanks to the Lord.
This is the gate of the Lord
    through which the righteous may enter.

And as his disciples sing:

The stone the builders rejected
    has become the cornerstone;
the Lord has done this,
    and it is marvelous in our eyes.

When, after the resurrection, Peter is brought to trial before the very same religious leaders who put Jesus to death, it is this lyric that Peter quotes back to his accusers (Acts 4:11). Could it be that Peter was, at that moment, remembering singing those lyrics that fateful night just weeks earlier when he himself rejected and denied knowing Jesus?

And then I thought of Jesus, knowing that He is about to be betrayed, arrested, beaten, flogged, mocked, and crucified, singing the final words of Psalm 118 and it being the last song He would sing on His earthly journey:

Give thanks to the Lord, for he is good;
    his love endures forever.

In the quiet this morning, I once again find the irony (perhaps divine appointment?) of reading these songs during the season of Lent when followers of Jesus focus our thoughts and spirits on Jesus’ final days, His crucifixion, and His resurrection. Music plays a part in the remembrance, just as Psalm 118 likely played a part in Jesus’ remembrance of God’s breaking the bonds of Hebrew slaves and delivering them out of Egypt. Music, ritual, and meaning are threads that connect the three human events. The Exodus, the Passion, and my celebration of the Great Story in this season.

Of Change and Health

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Awake, harp and lyre!
    I will awaken the dawn.

Psalm 108:2 (NIV)

Do you ever have random conversations that stick in your memory? I was on a trip with a colleague. While aware that we are each followers of Jesus, we didn’t talk about spiritual things very often. My colleague comes from a very conservative, almost fundamentalist viewpoint on things and he surprised me by wanting to ask my opinion about the weekly worship among the institutional church where he was a member.

It happened that my colleagues tribe had recently made the switch from a very traditional worship experience that involved singing traditional hymns, many of them having been in existence for hundreds of years. The church was migrating to using songs of the present-day genre. He was clearly struggling with this.

I have shared many times that I have been a spiritual wayfarer who has experienced and participated in a rich diversity of spiritual traditions. I have been in the emotionally rockin’ pentecostal tradition, the corporate silence of the Quaker Meeting House, the high-church liturgy of Roman Catholic church, the call-and-response of the black church, the intellectual approach of mainline institutions, the simplicity and sincerity of rural worship in a developing country, and the down-home family environment of a “house church.” My attitude has never been to ask “Which is right?” In fact, I’ve never really worried about asking “Which is right for me?” I’ve always tried to be fully present where I have been been led and ask myself “What good can I gain from this experience?”

I am aware, however, that my colleague has a more black-and-white view of both faith and life. The change in music genres within his local gathering had him rattled.

Colleague: “I’m struggling with these ‘seven-eleven’ songs. It’s the same seven lines sung eleven times.”

Me: “You mean like Psalm 117 that only has two lines which were likely repeated in worship?”

Colleague: “It’s just so repetitive. Singing the same thing over and over.”

Me: “You mean like Psalm 136 that repeats ‘His love endures forever’ twenty-six times?”

Colleague: “It’s not right. They take little pieces of a great hymn and mess it up by changing it. It was meant to be sung in its entirety!”

As this point, I could have pointed my colleague to today’s chapter, Psalm 108, because the entire thing is simply a cut-and-paste mash-up of Psalm 57:7-11 and Psalm 60:5-12. In fact, there are multiple examples both in the Psalms and in the writings of the ancient prophets when entire sections would be cut-and-pasted into an updated work. There are also examples of this in other ancient Mesopotamian cultures. It was quite common.

I don’t really know how the conversation landed with my colleague. I could tell that he was disappointed (maybe even a little frustrated) that I didn’t agree with him and provide him an affirmation of his opinions. He never brought it up again.

In my life, I have found change to be really difficult for people in almost any circle of life. When you mix in both change and religious tradition it can take on an added layer of emotion. Suddenly the change gets escalated to a level of religious orthodoxy. Sides are taken. The discussion escalates to arguments. Then comes entrenchment. Very often the next step is the severing of relationships. Groups split.

Along my spiritual journey, I have always assumed that change is a natural part of creation. Most things in life cycle in one way or another. What goes around comes around. Styles come back around and get freshened up. Religious traditions and practices that were once abandoned as “old and outdated” come back in vogue to bless a new generation of Jesus’ followers.

So it is that as I watch the changes that constantly happen around me on multiple levels, I try to keep my emotional reactions in check. Instead of digging in my heels and demanding that my love of the perfectly acceptable way of doing things is understood, I try to divert my energy to asking “What good might be gained from this change?”

In the quiet this morning, I find myself reminded of a mantra that I was introduced to by my friend. It made its way around the internet and I am unsure of the source. I once used it in a message, but I don’t know that I’ve ever referenced it in one of my chapter-a-day posts. It’s always stuck with me:

Healthy things grow.
Growing things change.
Change challenges me.
Challenges force me to trust God.
Trust leads to obedience.
Obedience makes me healthy.
Healthy things grow.
..