Then God remembered Rachel; he listened to her and enabled her to conceive. She became pregnant and gave birth to a son and said, “God has taken away my disgrace.” She named him Joseph, and said, “May the Lord add to me another son.”
Genesis 30:22-24 (NIV)
One of the things Wendy and I have enjoyed doing the past year or so is to watch some of the epic film series in order. This summer we watched all eleven movies of the Star Wars canon in the chronological order of the story arc. We’ve begun doing this with the Marvel Universe.
One of the things that she and I have discussed about the Harry Potter films, in particular, is that they were written and produced with a fatal flaw. None of the films’ writers and directors knew the entire story until the final installment because they were produced as the story was still being told. There was, therefore, important story elements in the earlier books that were important threads to the larger story, but those telling the particular episode of the epic didn’t know this or couldn’t see it.
Along my journey, I’ve observed a common flaw with those who read and study the Great Story. It’s easy to get lost in the minutiae of the immediate episode I’m reading that I lose sight that this episode is a thread in the larger theme that the Author of Life is telling.
Today’s chapter contains two stories that can be, quite frankly, head-scratchers. Both episodes of Jacob’s story flashback to earlier events and they foreshadow important elements of the story to come.
The first episode is a great birthing contest between sisters Leah and Rachel, both wives of Jacob. The second is Jacob’s deceptive scheme to increase his herds at his uncle’s expense.
In the culture of that day, providing your husband with a male heir was of utmost importance. In fact, a wife who did not produce a son by a prescribed period of time could nullify the marriage. In many cases, a wife lived with her father’s house until she did produce a male heir. The rivalry between sisters fuels their desire to win favor by producing sons for Jacob. Rachel’s barrenness and her demand that Jacob bear sons by her servant are flashbacks to Grandma Sarah who did the same thing. Likewise, Jacob’s shrewd deceit of his Uncle Laban in increasing his flocks hearkens back to the theme of deceit that pervades Rebekah’s family and Jacob’s life.
The story also foreshadows important elements in the story to come. Of all the sons born to Jacob, two are going to figure prominently in the rest of Genesis and in the history of the twelve tribes of Israel. Leah’s son, Judah will lead the tribe from which King David and the future Messiah will come. Rachel’s firstborn, Joseph, will live a life of exile and redemption, ultimately saving the entire family and becoming the conduit through which the next major chapter of the Great Story will be told.
The forest that is often lost in the trees of this story is the covenant God gave Abraham to expand his descendants and bless all the nations of the earth. The blessing that Jacob is part of. The birthing contest, with all of its human flaws, conflict, and intrigue, is going to exponentially increase Abraham’s descendants. The many sons of Jacob will become the twelve tribes of Israel.
In the quiet this morning, I find myself again contemplating the fact that the Great Story is being told through flawed, sinful human beings. I can look at each character from Abraham to Rachel and find character flaws, sins, and mistakes. Yet, with the exception of Jesus, that’s true of every human character in the Great Story.
That’s true of me.
Jacob, Rachel, and Leah are part of the larger story of Abraham’s covenant. Abraham’s covenant is part of the larger story of God redeeming fallen humanity. With no one to use but sinful human beings, God weaves the storyline through human failings, ultimately redeeming them in the larger work of ultimate redemption which is the meta-theme of the Great Story itself.
And, in the quiet this morning, I take comfort in that. In this way, I am Jacob. I am Rachel. I am Rebekah and Laban. Jesus placed His ministry into the hands of twelve flawed human beings which they passed on to other flawed human beings, and it has passed from flawed human being to flawed human being until it ultimately reached me.
I am a flawed human, but that does not disqualify me from playing my role in this penultimate drama. It does not cancel me in God’s eyes. It merely makes me part of the meta-theme of redemption, just like every other human in the Great Story.
I recently heard that the great actor, Alan Rickman, was considering quitting the role of Severus Snape in the series of Harry Potter films because Snape seemed like a one-dimensional, irredeemably bad character. J.K. Rowling pulled him aside to explain the powerful, redemptive role that Snape plays in the epic, which does not become fully clear until the end. Gratefully, he stuck with the role.
Sometimes, the seemingly irredeemable characters are essential to the ultimate story of redemption.
If you know anyone who might be encouraged by today’s post, please share.