Art History; History Art; Art, History

For since the creation of the world God’s invisible qualities—his eternal power and divine nature—have been clearly seen, being understood from what has been made, so that people are without excuse.
Romans 1:20 (NIV)

Back in college I was required to take a visual art class as part of my major. Being a lover of history I chose to take Art History II. The fascinating thing about Professor Jeff Thompson’s class was that the text book was not an Art History textbook. It was simply a History textbook.

Professor Thompson began the class with a question: “Does art merely reflect history, or does it drive history?” If you’ve read this blog for any length of time, you’ll recognize this is a binary, “either, or” question, and the answer to his question that we arrived at was “yes, and.”

What was fascinating in the course of study was the connection between all that was going on during a certain period of time of history (politics, religion, economics, and etc.) and what we were seeing in the important artworks of that period. Not only that, but also the connection between what we saw in visual art (paintings and sculptures) and the other art mediums (music, theatre, architechture, and literature). The art of each period both reflected what was happening and drove history forward.

That class planted in me a seed which has grown over time to bear much fruit of thought. Here is the root of it: In creating art, no matter the medium, artists express themselves through what they create. It cannot be otherwise. It is inherent in that act of creation itself that artists express who they really are, what they see, what they think, what they feel, and how they’ve experienced the world around them. In expressing these things, they influence the world around them and they drive the action of this Great Story.

This morning, in this chapter-a-day journey, we make our way to Paul’s letter to the followers of Jesus living in Rome, heart of the Roman Empire and epicenter of western civilization at the time. Today, art historians flock to Rome to see remnants of the ancient city with its architecture and artwork. The people Paul wrote to were surrounded by it as it was happening all around them, and to them he wrote this:

For since the creation of the world God’s invisible qualities—his eternal power and divine nature—have been clearly seen, being understood from what has been made, so that people are without excuse.

The creator revealed themselves in what was created. The Genesis poem says that humans were created in the image of the Creator. Just as Van Gogh painted the unique way he saw light and color, just as Bach channeled his love and understanding of mathematic order and the woven details of the universe into his music, just as Shakespeare expressed the tragedy of everyday humanity in the gilded trappings of man-made royalty, so God the Creator expressed  the light, energy, life, beauty, and power of their person(s) in all creation.

In the quiet this morning I’m pondering how through much of my journey I’ve viewed faith and science as living entrenched in their “either, or” camps like the armies of World War I dug in for the long haul, reduced to hurtling grenades at one another across no man’s land. At least, that’s the perception I’ve had from what has been presented to me by media who like to simplify complex issues into simple binary groups in conflict (it sells more). As I’ve proceeded in my journey I’ve met many fellow sojourners who could be easily labeled as a members of either trench, but who have wandered out into no man’s land. They observe and study and appreciate this cosmic work of art still expanding outward, still creating, still reproducing life, and  they’ve come to a “yes, and” realization, just as we did in Professor Thompson’s Art History class.

That’s where Paul begins his letter to the followers of Jesus in Rome. He starts with the expansive canvas of the cosmos through which the Creator expresses self. From the mystery of the cosmos Paul will dive into the mystery of being human, and how he sees the Creator has interacted with creation in the Great Story.

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